May 25, 2012
Brothers Grim

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     The problem is this.

     Here is the thing that is the problem, the thing that is, at this moment in time, my biggest problem.

     My biggest problem is that there is word going around that the McNamara brothers aren’t dead.

     That the explosion, the fire—that all of that was faked. 

     But the dental records, you might say. Weren’t there dental records? you might ask. 

     The dental records, too, I will tell you. Two John Does pulled from the morgue coupled with some amateurish but passable dental flim-flam managed with a pair of pliers and a soldering iron. 

     That kind of faked, I will tell you.

     To which you might respond, But they don’t know where you are, right?

     To which I will laugh. 

     To which I will laugh and to which I might say in return, No, no, of course not, why would they know where I am.

     Or say: 

     How can anyone know where anything is in this city, I might also say. But that would be me making a joke, of course. People in this city know where everything is in this city.

     Then I might say, Not because of my sister. Certainly not because of her would they know that I am currently here and now.

     Might say, Certainly not because of her and that bag of tiny little wooden skyscrapers I bought her at the MOMA store and sent her for her birthday along with a foam Statue of Liberty visor-hat.

     Certainly not because when push comes to shove my sister is both. 

     Pushable and shoveable, that is. 

     Certainly not because at the first sign of those two on her front porch standing there with the easy grace of the living dead she rolled right over and told them I was living in Jamaica, and they said, The island, and she said, No, assholes, not the island.

     Certainly not because of any of that.

     I had a dog before I came here, a red-furred, amber-eyed, fox-faced mutt that chewed up my table legs and my shoes and whatever piece of plastic bauble she could find on the floor, and maybe you’re wondering why I’m imparting to you this particular bit of information here and now, why it seems pertinent at this moment in time to explain to you that I once had a fox-faced dog before moving to the city, to which I might like to point out to you that the McNamara brothers are the reason a) for the past-tense possession of said dog and b) the immediate running off that led me here in the first place.

     The nightmares I will sometimes have regarding the fierce and grave things they did to that poor bitch are nightmarish and cannot bear repeating.

     And so.

     And in sum.

     In closing, allow me to simply remark on the numerous ways in which I am fucked. 

     To which you might then ask, So what are you going to do?

     And this. This is what I am going to do. What I’m going to do right now is this: 

     Nothing.

     Nothing? you might ask, thinking perhaps I am brave, or brave and stupid, or maybe just stupid.

     And I will say, again, Nothing. Maybe, Absolutely nothing. 

     And then I will say, I’m too dumb to do anything clever, and too clever to do anything dumb. And you will maybe roll your eyes at this, or raise your eyebrows at this, because it seems maybe like I have been thinking of saying this for some time, and maybe I have. 

     Maybe I have waited all night just to say that.


Story by Manuel Gonzales

Photo by Emily Raw

May 18, 2012
There’s This Joke

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     There’s this joke I like to tell sometimes. 

     There’s a rabbi in it somewhere, and a duck and a pirate, and somebody in there has a monkey that pisses all over a bar. It’s a long one and I don’t always make it all the way through to the end, and a lot of times, you can’t understand what I’m saying when I’m telling it because I’m laughing too hard while trying to tell it. And to be honest, it’s a few different jokes rolled into the one thing I tell. It’s not really a joke, not in the way most people think of jokes, but it makes people laugh. What I mean is they laugh but they’re laughing at what I’m doing, not what I’m saying. And so, really, that’s the joke. 

     Me. 

     I’m the joke. 

     They think they’re hearing the joke, and they think it’s a bad one, or not a bad one, but one I can’t tell very well, and they’re laughing anyway, but what they don’t know is that really it’s a longer, more complicated joke than they realize.

     What they think is the joke is really just the set up for the joke.

     Me, I’m the joke. For them, anyway, and the joke for me is that they’re the joke for me and they don’t even know it.


Story by Manuel Gonzales

Photo by Emily Raw

May 11, 2012
Sex in the Echo

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     Nobody visits the surface of the earth anymore and this, according to Flicker, whose real name is Elizabeth Watson, and who, when she talks, blends contemporary bubble slang with what she claims is a vintage kind of swearing, is not just a problem but an opportunity. A money-making opportunity.

     “Back when I was a kid,” she tells me, “it was badass totally the shitty thing to do, going down to the surface. It was dangerous and exciting.” 

     But now? 

     “There’s—I don’t know. It’s lost its hunt,” she says. “It’s legal, now, and regulated. There are those boots you have to wear and they’re ugly and huge and those suits you have to rent that are too expensive, and have you been in one? They smell like sweat and puke and who knows what else. And rappelling sounds like way more fun than it ever is. The whole thing has been drained of all romance. I mean, for a while, they tried billing it as a family place to visit, with museums and tours, but, I mean, even families could tell that shit wasn’t cool.” Then she smiles. “But don’t you worry. I know a way to bring it all back.”

     Ten years ago, when she was still Elizabeth Watson, Flicker dropped out of school to open the retro nuclear-winter-themed club, End of Times, which she marketed with the slogan, Go out dancing.

     “This friend of mine, this totally vintage found-object artist, had been hauling up band from the surface—mannequins and ceiling fans and coffee machines and goddamn—and creating these shitty towers and intricate miniature mazes with it all, but he had a lot of band left over and I told him about my dance club idea and he gave me some of that extra fuck he had and helped me haul up a bunch of other band. We found this old dentist’s chair and he helped me turn it into a fog fucking machine. Who doesn’t love a fog fucking machine? And we found this shitty beautiful mirror, like a real mirror, but at one point, during fallout maybe, it had fallen onto something, or someone, and had melted and molded into the shape of whatever and then, you know, after a while the whatever had disintegrated, but the mirror was still there. That mirror was shitty amazing. My friend wanted to keep it for himself but I was like, fucking no way, that goddamn is mine. Then, you know, after we got all this shitty contraband up and installed, we opened the club, and we had hired those kids to dress up like Korean refugees for opening night, and people went bananas over it.” She smiles and sighs. “We pulled in so much goddamn acid.”

     End of Times, though, closed within the month after Agents raided the space and confiscated the surface contraband. 

     “People were getting sick, apparently,” she tells me. “I don’t know. I was in that club every night and I’m goddamn fine.”

     For a while after she left End of Times, Flicker bounced from one project to another. She helped produce the Living Cube, a giant cube based on the Rubik’s Cube, but using people who had been skin-dyed to match the color squares from the old toy and who were moved around by competing teams. She managed the touring installation, Homeless, for almost a year. But time and time again, no matter what project she began or took control of, she couldn’t stop thinking of the surface.

     “I just missed it,” she says. “I mean, I have so many shitty memories from high school of sneaking out of the house and jumping off the platform, back when we rigged up our own chutes, none of this rappelling fuck, and you get down there and everything is so foreign. It’s all shitty and like nothing else.”

     So when she first heard about the discovery of the Echo, she knew she’d found her way back to all of that.

     “Do you even know what it does, the Echo?” she asks me, and I have to admit to her that, while I’ve read the reports and studies, I do not know what the Echo does. “That’s the whole point, fuck. Nobody knows what it does. People just know what it is.”

     In truth, researchers aren’t sure what it is, either, or, rather, what the consequences are of what it is. According to studies, the Echo is an atmospheric disturbance—or more accurately, a clearance—that materializes for ten to fifteen minute intervals. While the surface is rich with various chemical and atmospheric disturbances, what separates the Echo from these other disturbances are its radiation levels, which are lower than radiation levels taken anywhere else on the planet or in the upper atmosphere, including within the Bubble, but even more compelling is the fact that highly-radiated objects passed through the Echo become themselves radiation-clean.

     Flicker’s idea, then, as she explained it to me, is to run semi-legal couple tours down to the surface and to the Echo for sex sessions.

     Why sex sessions, I ask her.

     She laughs. “Sex sells.” Then, “But really people can do whatever the shit they want to in the Echo. I mean. Drink a glass of water or just sit around naked for fifteen minutes and then when it disappears and you’re exposed all you do is wait for it to come back and clean yourself off.”

     I wonder aloud if sex in the Echo might be tricky. According to the reports, it’s a small space, for one, and also, ten minutes isn’t very long.

     She raises her eyebrows at me and offers a mocking smile. “Really? You think you’ll need more than ten minutes?”  


Story by Manuel Gonzales

Photo by Emily Raw

May 4, 2012
Living Parts of Me

     There’s sadness at the first drop, then deep grief as it starts for real. Just one drop, there’s still hope, but then you know for sure: not this time, not this month, not now.

     Once I asked Judith how many chances we get and she said as many as it takes. She’s the one who never gives up, you can believe that. She used to weigh three hundred and fourteen pounds, but then she decided: Overeaters Anonymous. Eighteen months later, she was a healthy-sized woman. I loaned her money to get the extra skin tucked up afterward because what else would I use it for? My settlement and disability go a long way since I hardly go out. 

     She was only my next door neighbor at the time, we weren’t close yet, but I’d see her coming and going, I’d say hi, so would she. Til one day she came inside when her air conditioning was on the fritz. We watched Oprah, people talking about their body shame. It wasn’t the best feeling in the world, us sitting there together, me with my withered leg and burn scars, listening to people talk about their shame. But Judith talked freely about the skin thing, the extra folds, her embarrassment. It’s not the first time someone’s disclosed something private to me, something you’d expect them to keep to themselves. 

     Judith started to come over in the evenings, tell me about her day, her night job at the movie theater, meetings she went to. Not just the overeaters meetings, but incest survivors, debtors anonymous, alcoholics anonymous. She said she didn’t have all those things, it just felt like she did, and that’s what counts. You should come too she said, no one judges.

     But she doesn’t know. It’s one thing to be fat and another to be …  well, something else.

     Sometimes in the magazines or on TV there are stories about people who overcome the odds, people who face adversity and don’t become bitter, who don’t give up, who face everything with grace. The legless man who runs the marathons, the burn victim who’s a stand-up comedian, the child-bride who lost her husband and protects her baby by shooting the intruders. These things are real, they happen, I give you that.

     But then there’s me, and hundreds, maybe millions, like me. Here we are, completely ordinary. When something hits us we break in half. I used to be ashamed of us until Judith enlightened me. Without us, she said, those other stories would never be told. We make them possible. Be proud.

     And then she laughed and from where I sat I could see the pink scar under her chin where they sucked some extra stuff out.

     When the doorbell rings Digger runs for cover. He gets low to the ground and his butt wiggles like a caught fish while he squeezes under the couch. It’s a pullout, so there’s not a lot of room underneath. He used to fit just fine but then he grew and forgot to tell his brain, so when the bell sounds he does what he’s always done. Once I had to open it up to get him out. 

     My apartment’s right next to the stairwell. I can tell Guy’s on his way up when I hear echoing steps pounding toward me. I hear people in there from time to time, smoking, fighting, having sex. They think it’s private because everyone takes the elevator. 

     Well, not everyone. Guy never takes the elevator. Running up the stairs invigorates him. He likes a challenge. That’s why he likes me, he says.

     It was Judith who found Guy. You’re entitled, she said, you should take advantage.

     So now he comes once a week to give me exercises. He says there’s no reason I can’t go out, live a full life. He tells me about all the amazing things I could do if only I were so inclined, if only I weren’t me. His body insults me, the pulse of it, the pump of his heart. Letting him into my apartment makes me want to fumigate. Get out I want to say, I have to sleep in here, I have to eat.

     But I do what he tells me because Judith wants it, because I want her to have what she wants.

     She comes home early on Tuesdays. She brings falafel sandwiches with extra tahini sauce. One time we ate them in bed, but only once, because did you ever try one of those things? 

     Judith likes me to talk when I enter her. I say Beautiful, so beautiful over and over until she comes. She thinks I’m just saying it as part of sex but I’m not. Afterward she lies with her legs up on the wall for half an hour. I cast tarot cards on the pillow while she waits. I throw them until they’re right, until the Empress says we’re having a baby. Sometimes I even add a suggestion for names. Gunther, I say, wasn’t he a lion tamer? Or Greta, a G word, certainly.

     How about Guy she says.

     And I look at her face. She’s staring out the window and I can see the deep bruising under her breasts, the dark brushmark that never quite goes away. Her face itself is unreadable.

     Not Guy, I say, That wouldn’t work.

     No, I suppose not, she says, and she seems faraway when she says it.

     Would you want it to be Guy I ask.

     Oh, what does it matter she says and she turns over, It never would be.

     I lie down behind her and put my hand on the space right above her pubic bone, above the place where living parts of me are still swimming. I’ve been told the healthy ones have up to five days to stay alive. I suppose the others, the ones that aren’t so strong, are already dying in there. Dying, or breaking into pieces.


Story by Kerry DeMunn

Photo by Kramer O’Neill

April 27, 2012
Bloody Joke

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     She laid herself out on the floor, which she’d covered with pages torn out of library books she’d stolen from school and splattered with thick globs of India ink she’d stolen from the art supply closet, also at school. She dressed in her nicest dress, which she smeared with more globs of ink, even though she laid herself out on the floor face-down, effectively hiding the globs of ink on the front of her dress, but she was ever the perfectionist.

     Details mattered, you know.

     She painted her nails black. She died her hair red. It was supposed to be blood-red but it wasn’t, actually. 

     The tattoos were real, but she figured when her parents found her like this, realized what she’d done, they’d probably assume the tattoos were fake, too, or, rather, would be so upset they’d probably not even notice the tattoos, and if they did notice, wouldn’t realize for a couple of days the realness of them, and by that time, really, how upset could they be over a couple of tattoos?

     It was a joke, see? She read so much, her whole life was nothing but books—no friends, no boys, no sports or clubs or anything else—that she’d bleed ink, that her entrails would obviously be torn, crumpled pages. What’s black and white and read all over? 

     It was going to be so funny.

     Now that she was lying here covered in ink, though, which had made patches of her skin feel tight and crusty, she wasn’t sure why she’d thought it’d be quite so funny.

     Four or five years ago, she’d found a stuffed animal in their front yard, a tiger that had been blown there or thrown there or lost there somehow, and the seam had ripped and small, pebbly, white fluff had spilled out of its neck. For a long time she’d been faintly in love with the boy who lived next door, and she remembered thinking that what she should do was take that ripped tiger and pour out all the pebbly white fluff in his front yard to make it look like it had snowed. She couldn’t think of anything he might like more than to be fooled into thinking it had snowed in the middle of May. But then there was less stuffing inside the tiger than she thought there’d be, certainly not enough to cover his whole front yard, and so she spread it out around the trunk of a large tree in their yard, but even then, as she was shaking the tiger’s insides out, it didn’t look at all like snow on the ground, looked really only like tiny white pieces of trash, and she couldn’t remember why she had thought this would work in the first place. 

     Then her dad saw what she’d done and when he’d asked why and she told him because she wanted to make it look like it had snowed, he gave her a look and then told her she had to clean it up. Then he gave her the leaf blower and she blew the pebbly fluff into the street, where it drifted back toward the curb and piled there until the next time it rained.

     Lying facing down on the floor, her head tilted to the side so she could breathe something more than the musty paper and the strong smell of ink, she was beginning to feel now the way she had felt then.

     Then she imagined the look on her parents’ faces when they walked through the door and found her there in the living room and she started giggling and then tried to stop giggling because corpses that bleed ink certainly do not giggle, but then that thought made her giggle even more.

     Thankfully, by the time she had stopped giggling, her parents still hadn’t shown up. 

     She had been holding onto this idea in her head for what seemed like ages. The timing had to be right, though. Her parents had to leave the house without her, had to run enough errands to be gone long enough for her to put this all together but not run the kind of errand like garage sale shopping or going out to the flea market that would have made it almost impossible for her to predict when they’d come back home. Today was perfect, then. Today they had three stores to hit, one of them a hardware store where her father was going to buy wood to fix the fence, and none of them of the antique or flea market or odds and ends variety. 

     But still.

     She went through two more giggling fits, serious ones, and they still hadn’t come home by the time she hit her fourth overall giggling fit, and she wondered where they might be. Maybe she had misunderstood what they had said they were going to do today. But she didn’t think she had.

     Something must have caught her mother’s eye. Or they had simply lost track of time. And so she waited.

     Soon enough they were going to walk through the door and get the shit kicked out of them by her joke, by the sight of her and all this ink, and it was going to be hilarious. And so she waited.

     She shifted to make herself more comfortable. She turned her head enough to look at the door to see if she could tell that it might open soon, but then turned away when she saw what she thought was a shadow. But instead of a key in the lock, there was a knock, and then a louder knock, and then the doorbell, and then someone calling her name, and then she was at the door standing in front of the mother of the boy next door whom she had once faintly loved, who didn’t flinch, didn’t bat an eye at the dress or the ink or her hair, which was how she knew.



Story by Manuel Gonzales

Photo by Emily Raw